Walthers Mainline D&RGW GP9

The most recent runs of the Walthers Mainline GP9 have had paint schemes that I've found appealing, including the Central Vermont 1970s-80s green and yellow and the 1950s SP-Texas & New Orleans black widow. I also really like the D&RGW large speed lettering.

According to the Utah Rails site,

Beginning in 1968, on either new units or on most repainted units, the Rio Grande lettering was made larger, with the Rio made 24 inches high, and Grande made 60 inches high.

The first locos to get this scheme were SD45s assigned to the Kaiser Steel unit coal train to California. Five GP9s (5902, 5903, 5904, 5911, 5954) got this lettering. The Walthers models in this run are 5903 and 5911. Below is a Jim Parker photo of 5904.

Comparing the model paint to prototype photos, the large lettering appears to be correctly placed on each side of the long hood. A smaller black panel with the older flying Rio Grande appears on the short hood front. As on the prototype, the long hood rear does not have this patch. The engineer and fireman figures in the cab correctly face the short hood front of the loco.

I have the sound and DCC version. The ESU sound provided is a lower-cost subset that doesn't have features like prime mover delay on full-featured loco decoders. It also has a limited set of horn and bell options. These are Horns: CV163 = 0 - Leslie A-200 CV163 = 1 - Wabco single-chime CV163 = 2 - Nathan M3 (default) CV163 = 3 - Leslie S3L Bells: CV164 = 0 - Bronze bell (default) CV164 = 1 - Steel bell. I'm satisfied with this sound.

Watchng videos with sound of the D&RGW prototype locos, they appear to have Nathan M3 horns, the default, although the plastic horn detail on the model looks more like a too-small Leslie. As I usually do, I set the acceleration and deceleration momentum CVs 3 and 4 to 0; the flywhweel momentum in the model is enough for me. These were the only CV changes I needed to make.

Operating Scheme Maintenance

I've been running what amounts to a JMRI operations maintenance job, adding newly acquired items over the pastr year or so to the layout and updating their locations to JMRI.

At rear, both of the new Central Vermont GP9s have been added to a consist with the Grand Trunk blue one. They really sound greatr with all engines running at once. Next to that is the Walthers Mainline NW2 on another service track. The Walthers Mainline SCL SW7 is running the update train. I really like the Walthers EMD switchers; the sound has really nice random thuds and clicks.

The tank car isn't new; it's a Bachmann track cleaning car cleaning out the yard tracks as part of the job. It has a neat paint job for D&RGW work service.

In front of the SW7 is one of my recent Accurail Wellsville, Addison, & Galeton boxcars. In the foreground is one of my new Ertl gons with a Chooch load.

Japan Vignette

In my last post, I mentioned that of the limited number of N locos that will negotiate Kato Compact Line curves, many are Japanese prototype. (The Kato N NW2 will take them, but the Broadway limited locos will not.) That doesn't bother me, I had a chance to visit Japan many years ago, and I've always liked Japanese trains. So I decided that if I was going to run some Japanese prototype on this layout, I could justify making some of the scenery Japanese.

Tomix buildings are good basic models of very typical Japanese structures. There are several American railfans who live in Japan and make YouTube videos in US English about their travels, like Jeremy below:

There are also many, many Japanese railfans who post on YouTube, many of whose videos are cab rides on an entire line. You can turn on English sutitles that will translate their Japanese. All these are great tools for getting a feel for how buildings are positioned -- for instance, the ones in my photo back up against the rail line in very typical fashion.

For now, I'm just experimenting with where to place things, and everything is subject to change. But this is an example of the flexibilty possible if you use T-TRAK modular architecture for a home layout; scenes can always be swapped out.